Having just returned alive from my first visit to Las Vegas, I feel the need to share some of my experiences, observations, and enlightening commentary. […] The place really is just that bad. Las Vegas is essentially the combined horror of Hell, the Holocaust, and the killing fields of Cambodia ground up and run through a giant neon sausage maker. […] Las Vegas was obviously designed by a retarded child and bankrolled by a shadowy cabal of Nazis, mafia gangsters, racist astronauts, pedophiles, murderers, and Celine Dion. I can’t imagine any other place in the world that would make heroes out of creepy immigrants like Zigfried and Roy, or glorify washed up actors, comedians, and musicians as Gods of the Universe.

{ Something Awful | Continue reading }

Historically, casinos have been eager adopters of technologies that help them to gather knowledge about their customers. The knowledge-gathering repertoire of the modern casino has shifted from telephone surveys, focus groups, and rudimentary datasets to complex feats of reconnaissance and analysis enabled by player tracking systems, data visualization tools, and behavioral intelligence software suites.

Many surveillance techniques first applied in casinos were only later adapted to other domains—airports, financial trading floors, shopping malls, banks, and government agencies. […]

Nearly 70 percent of casino patrons in the United States participate in so-called loyalty programs, using player cards to gamble rather than coins, paper money, or tickets. While their participation grants them redeemable points based on the volume of their play, it grants casinos a wealth of information. Casino player tracking systems, inspired by airline and credit card reward programs in the mid-1980s, record the value of each bet gamblers make, their wins and losses, the rate at which they push slot machine buttons, and what drinks and meals they purchase.

Tracked gamblers are treated less as individual subjects than as “dividuals” in the Deleuzian sense—collections of traits, habits, and preferences that casinos can systematically compare to those of others in order to identify distinct customer niches.

Harrah’s, a franchise that tracks players seamlessly from coast to coast by pooling information from its national chain of properties into a single centralized database, parses its market into ninety different segments and addresses each with a unique marketing scheme. […]

As in the case of online venues like Amazon.com, individuals’ consumer behavior in casinos, recorded in a common data cloud and refracted through statistical analysis, becomes the basis for group classifications of which they may not be aware but in which they continue to participate—sometimes more robustly as a result of the customized product marketing that follows.

{ Limn | Continue reading }

{ The newest Las Vegas Strip attraction isn’t another mega-resort or Cirque du Soleil show. Rather, it is a heavy equipment playground that lets visitors operate life-size Tonka toys. “Dig This” is a construction theme park developed by New Zealand-born Ed Mumm, who stumbled upon the idea while using a rented excavator to build his home in Steamboat Springs, Colo. After a couple of days of digging, he realized that operating machinery was a blast. | Engeenering News-Record | full story }

I was in the middle of teaching the difference between knowledge and belief when my cell phone buzzed in my pocket. It was a call from the dean of the University of Nevada, Las Vegas College of Liberal Arts.

The dean informed me that he was very sorry but, barring an unlikely immediate solution to the state’s financial crisis, the university had decided to eliminate the Philosophy Department, which I chair.

In July, I would be given a one-year terminal contract. After that, the university would fire me, along with all of my departmental colleagues, after twenty years of service.

{ The Boston Review | Continue reading }

Casino-resort developer Steve Wynn is betting big on the art market this fall. Mr. Wynn has enlisted Christie’s to auction off a Roy Lichtenstein painting for at least $40 million at its major sale of contemporary art on Nov. 10 in New York.

The 1964 painting, “Ohhh…Alright…,” depicts a pixilated redheaded woman clutching a telephone. (…) Mr. Wynn bought the work from a New York gallery, Acquavella, a few years ago. Before that, the painting belonged to actor and writer Steve Martin. Mr. Martin confirmed he once owned the work; Mr. Wynn declined to comment.

“Ohh…Alright…” has never been auctioned off before, but it has been shown to collectors on the private marketplace, dealers say. Most notably, it was included in a not-for-sale show of the artist’s “Girls” series two years ago at New York’s Gagosian Gallery. (…)

At the market’s peak two years ago, Christie’s privately brokered the sale of another 1964 Lichtenstein redhead, “Happy Tears,” for roughly $35 million, up from the $7.1 million the auction house got for that same work six years earlier, according to Brett Gorvy, Christie’s international co-head of postwar and contemporary art.

{ Wall Street Journal | Continue reading }

No one except Wynn himself might have imagined it, but in the past two years, the Las Vegas resort mogul has become one of the world’s most successful art dealers/warehousers. Looking at the fruit of one large purchase Wynn made in March 1998 (just one of many acquisitions he or his company has made), he appears to be looking at a potential 40 percent to 50 percent appreciation on an investment of $50 million.

Beginning in November 1996, Mirage Resorts President and CEO Steve Wynn began collecting art for the opening of Bellagio, an upscale resort in Las Vegas. Yet even before Bellagio and the Bellagio Gallery of Fine Art opened in October 1998, Wynn had become an art dealer, trading the works he acquired.

While Wynn picked out art for his company to purchase, he also bought for himself. Most notable is a group of seven contemporary paintings for $50 million from New York dealer William Acquavella on March 9, 1998. The math (admittedly, somewhat speculative), shows that Wynn has sold three of the paintings for around $37 million and two others worth about $4 million for undisclosed prices. And he still owns two that are worth over a total of $20 million, easily. Here’s a list of the paintings in question and, where possible, information on what has become of them.

Robert Rauschenberg, Small Red Painting, 1954
Combine painting, ca. 28 x 21 x 5 in.
Wynn ‘98 valuation: $3.4 million
Sold after Bellagio opened
Buyer and sale price are unknown

Cy Twombly, Untitled, 1961
Acrylic, colored crayons and graphite on canvas, 40 x 58 in.
Wynn ‘98 valuation: $847,458
Sold before Bellagio opened
Buyer and price are unknown

Franz Kline, August Day, 1957
Oil on canvas, 92 x 78 in.
Wynn ‘98 valuation: $2.5 million
Sold to PaceWildenstein, where it was for sale at $4 million
Presumed net to Wynn: around $3.2 million

Roy Lichtenstein, Torpedo…Los!, 1963
Oil on canvas, 68 x 80 in.
Wynn ‘98 valuation: $12.7 million
Sold spring ‘98 for around $14 million to Microsoft architect guru Charles Simonyi

Jasper Johns, Highway, 1959
Encaustic and collage on canvas, ca. 34 x 27 in.
Wynn ‘98 valuation: $9.3 million
Sold summer ‘99 for around $20 million

Willem de Kooning, Police Gazette, 1955
Mixed media on canvas, ca. 43 x 40 in.
Wynn ‘98 valuation: $11.9 million
Remains in Wynn’s collection

Jackson Pollock, Frieze, 1953-55
Oil, enamel and aluminum paint on canvas, ca. 26 x 86 in.
Wynn ‘98 valuation: $9.3 million
Remains in Wynn’s collection

{ ArtNet | Continue reading }

bonus:

videos { Wynn Las Vegas TV Commercial, 2005 | Encore Las Vegas TV Commercial, 2008 }

Why are gamblers such a difficult subject for academic study?

“We have both spent over 10 years playing in and researching this area, and we can offer some explanations on why it is so hard to gather reliable and valid data,” wrote psychologists Mark Griffiths, of Nottingham Trent University, and Jonathan Parke, of Salford University explained, in a monograph called Slot Machine Gamblers – Why Are They So Hard to Study?

Here are three from their long list.

First, gamblers become engrossed in gambling. “We have observed that many gamblers will often miss meals and even utilise devices (such as catheters) so that they do not have to take toilet breaks. Given these observations, there is sometimes little chance that we as researchers can persuade them to participate in research studies.”

Second, gamblers like their privacy. They “may be dishonest about the extent of their gambling activities to researchers as well as to those close to them.” (…)

Third, gamblers sometimes notice when a person is spying on them. “The most important aspect of non-participant observation research while monitoring fruit-machine players is the art of being inconspicuous. If the researcher fails to blend in, then slot-machine gamblers soon realise they are being watched and are therefore highly likely to change their behaviour.”

{ The Guardian | Continue reading }

The doors open and three women step on: a blonde, a brunette and one whose hair has been bleached and blown dry so many times it’s not a discernible color. All of the women could stand to have a good 3 inches cut off their hair. They wear slight variations on the Little Black Slut Dress. They wear too much makeup, a pair of shoes that doesn’t quite match the dress, towering heels.

The man in the corner rolls his eyes and thinks to himself, “And I’m the hooker.”

That’s right: I’m 47 years old, I’m a good 30 pounds overweight, and I make my living by taking care of men who come to Las Vegas hoping for some skin time with other men — for a fee. And in case you’re ready to dismiss me as someone clinging onto the last shreds of his faded beauty, you should know that I was well into my 40s before I started hooking.

{ Salon | Continue reading }

photo { Stephen Shore, Clovis, New Mexico June, 1972 }

Information theory is a branch of applied mathematics and electrical engineering involving the quantification of information. (…)

A key measure of information in the theory is known as entropy, which is usually expressed by the average number of bits needed for storage or communication. Intuitively, entropy quantifies the uncertainty involved when encountering a random variable. For example, a fair coin flip (2 equally likely outcomes) will have less entropy than a roll of a die (6 equally likely outcomes).

{ Wikipedia | Continue reading }

Claude Elwood Shannon (1916 – 2001), an American electronic engineer and mathematician, is known as “the father of information theory.”

Shannon is famous for having founded information theory with one landmark paper published in 1948. But he is also credited with founding both digital computer and digital circuit design theory in 1937, when, as a 21-year-old master’s student at MIT, he wrote a thesis demonstrating that electrical application of Boolean algebra could construct and resolve any logical, numerical relationship. It has been claimed that this was the most important master’s thesis of all time. (…)

The Las Vegas connection: Information theory and its applications to game theory
Shannon and his wife Betty also used to go on weekends to Las Vegas with M.I.T. mathematician Ed Thorp, and made very successful forays in blackjack using game theory type methods co-developed with physicist John L. Kelly Jr. based on principles of information theory. They made a fortune, as detailed in the book Fortune’s Formula. (…)

Shannon and Thorp also applied the same theory, later known as the Kelly criterion, to the stock market with even better results.

{ Wikipedia | Continue reading | Mathematical Theory of Claude Shannon, A study of the style and context of his work up to the genesis of information theory. | PDF }

recto/verso { Welcome to Fabulous Las Vegas sign, 1959, designed by Betty Willis. | In hopes that the design would be used freely, Willis never copyrighted her sign’s design. | PBS | Continue reading | More Betty Willis | NY Times | Photos: The Neon Museum, Las Vegas }