According to the historian Annemarie Schimmel in her book “The Mystery of Numbers,” medieval numerologists all considered the number one to represent divinity, unity or God. At the same time, though, scholars had absolutely nothing good to say about the number 11: “While every other number had at least one positive aspect, 11 was always interpreted in medieval [analysis] in a purely negative sense,” Schimmel wrote. The 16th-century numerologist Petrus Bungus even called 11 “the number of sinners and of penance.”
In the 1950s, in the midst of what came to be known as the Economic Miracle, West Germany was positively deluged with other wonders: mysterious healings, mystical visions, rumors of the end of the world, and stories of divine and devilish interventions in ordinary lives. Scores of citizens of the Federal Republic (as well as Swiss, Austrians, and others from neighboring countries) set off on pilgrimages to see the Virgin Mary, Jesus, and hosts of angels, after they began appearing to a group of children in the southern German village of Heroldsbach in late 1949. Hundreds of thousands more journeyed from one end of the Republic to the other in the hopes of meeting a wildly popular faith healer, Bruno Gröning, who, some said, healed illness by banishing demons. Still others availed themselves of the skills of local exorcists in an effort to remove evil spirits from their bodies and minds. There also appears to have been an eruption of witchcraft accusations—neighbor accusing neighbor of being in league with the devil—accompanied by a corresponding upsurge in demand for the services of un-bewitchers (Hexenbanner). In short, the 1950s was a time palpably suffused with the presence of good and evil, the divine and the demonic, and in which the supernatural played a considerable role in the lives of many people.
Scholars across a variety of disciplines have raised important questions about the epistemological and methodological capacities of the social sciences to capture the lived reality of otherworldly encounters, past and present. (…)
Why do supernatural experiences matter for history?
Today hardly anyone notices the equinox. Today we rarely give the sky more than a passing glance. We live by precisely metered clocks and appointment blocks on our electronic calendars, feeling little personal or communal connection to the kind of time the equinox once offered us. Within that simple fact lays a tectonic shift in human life and culture.
Your time — almost entirely divorced from natural cycles — is a new time. Your time, delivered through digital devices that move to nanosecond cadences, has never existed before in human history. As we rush through our overheated days we can barely recognize this new time for what it really is: an invention. (…)
Mechanical clocks for measuring hours did not appear until the fourteenth century. Minute hands on those clocks did not come into existence until 400 years later. Before these inventions the vast majority of human beings had no access to any form of timekeeping device. Sundials, water clocks and sandglasses did exist. But their daily use was confined to an elite minority.
The 12-hour clock can be traced back as far as Mesopotamia and Ancient Egypt: Both an Egyptian sundial for daytime use and an Egyptian water clock for night time use were found in the tomb of Pharaoh Amenhotep I. Dating to c. 1500 BC, these clocks divided their respective times of use into 12 hours each.
The Romans also used a 12-hour clock: daylight was divided into 12 equal hours (of, thus, varying length throughout the year) and the night was divided into four watches. The Romans numbered the morning hours originally in reverse. For example, “3 am” or “3 hours ante meridiem” meant “three hours before noon,” compared to the modern usage of “three hours into the first 12-hour period of the day.”
Kings, queens and dukes were always richer and more powerful than the population at large, and would surely have liked to use their money and power to lengthen their lives, but before 1750 they had no effective way of doing so. Why did that change? While we have no way of being sure, the best guess is that, perhaps starting as early as the 16th century, but accumulating over time, there was a series of practical improvements and innovations in health. (…)
The children of the royal family were the first to be inoculated against smallpox (after a pilot experiment on condemned prisoners), and Johansson notes that “medical expertise was highly priced, and many of the procedures prescribed were unaffordable even to the town-dwelling middle-income families in environments that exposed them to endemic and epidemic disease.” So the new knowledge and practices were adopted first by the better-off—just as today where it was the better-off and better-educated who first gave up smoking and adopted breast cancer screening. Later, these first innovations became cheaper, and together with other gifts of the Enlightenment, the beginnings of city planning and improvement, the beginnings of public health campaigns (e.g. against gin), and the first public hospitals and dispensaries, they contributed to the more general increase in life chances that began to be visible from the middle of the 19th century.
Why is this important? The absence of a gradient before 1750 shows that there is no general health benefit from status in and of itself, and that power and money are useless against the force of mortality without weapons to fight. (…)
Men die at higher rates than women at all ages after conception. Although women around the world report higher morbidity than men, their mortality rates are usually around half of those of men. The evidence, at least from the US, suggests that women experience similar suffering from similar conditions, but have higher prevalence of conditions with higher morbidity, and lower prevalence of conditions with higher mortality so that, put crudely, women get sick and men get dead.
Hildegard of Bingen was a twelfth century nun, possibly with repressed lesbian desires, who had visions, was a proto-scientist, advised the Pope, composed music, and, er, wrote about the role of the brain in the female orgasm.
BBC Radio 4′s Great Lives just had a fantastic programme about her where they read out her description of the female orgasm and how it is driven by a ‘sense of heat’ in the brain.
In publishing and graphic design, lorem ipsum is placeholder text (filler text) commonly used to demonstrate the graphics elements of a document or visual presentation, such as font, typography, and layout. The lorem ipsum text is typically a section of a Latin text by Cicero with words altered, added and removed that make it nonsensical in meaning and not proper Latin. A close English translation of the words lorem ipsum might be “pain itself” (dolorem = pain, grief, misery, suffering; ipsum = itself).
Lorem Ipsum has been the industry’s standard dummy text ever since the 1500s, when an unknown printer took a galley of type and scrambled it to make a type specimen book. It has survived not only five centuries, but also the leap into electronic typesetting, remaining essentially unchanged. It was popularized in the 1960s with the release of Letraset sheets containing Lorem Ipsum passages, and more recently with desktop publishing software like Aldus PageMaker including versions of Lorem Ipsum.
Lorem Ipsum has roots in a piece of classical Latin literature from 45 BC, making it over 2000 years old. Richard McClintock, a Latin professor at Hampden-Sydney College in Virginia, looked up one of the more obscure Latin words, consectetur, from a Lorem Ipsum passage, and going through the cites of the word in classical literature, discovered the undoubtable source. Lorem Ipsum comes from sections 1.10.32 and 1.10.33 of “de Finibus Bonorum et Malorum” (The Extremes of Good and Evil) by Cicero, written in 45 BC. This book is a treatise on the theory of ethics, very popular during the Renaissance.
The standard Lorem Ipsum passage, used since the 1500s:
Lorem ipsum dolor sit amet, consectetur adipisicing elit, sed do eiusmod tempor incididunt ut labore et dolore magna aliqua. Ut enim ad minim veniam, quis nostrud exercitation ullamco laboris nisi ut aliquip ex ea commodo consequat. Duis aute irure dolor in reprehenderit in voluptate velit esse cillum dolore eu fugiat nulla pariatur. Excepteur sint occaecat cupidatat non proident, sunt in culpa qui officia deserunt mollit anim id est laborum.
The original version:
Sed ut perspiciatis, unde omnis iste natus error sit voluptatem accusantium doloremque laudantium, totam rem aperiam eaque ipsa, quae ab illo inventore veritatis et quasi architecto beatae vitae dicta sunt, explicabo. Nemo enim ipsam voluptatem, quia voluptas sit, aspernatur aut odit aut fugit, sed quia consequuntur magni dolores eos, qui ratione voluptatem sequi nesciunt, neque porro quisquam est, qui dolorem ipsum, quia dolor sit amet, consectetur, adipisci velit, sed quia non numquam eius modi tempora incidunt, ut labore et dolore magnam aliquam quaerat voluptatem. Ut enim ad minima veniam, quis nostrum exercitationem ullam corporis suscipit laboriosam, nisi ut aliquid ex ea commodi consequatur? Quis autem vel eum iure reprehenderit, qui in ea voluptate velit esse, quam nihil molestiae consequatur, vel illum, qui dolorem eum fugiat, quo voluptas nulla pariatur?
At vero eos et accusamus et iusto odio dignissimos ducimus, qui blanditiis praesentium voluptatum deleniti atque corrupti, quos dolores et quas molestias excepturi sint, obcaecati cupiditate non provident, similique sunt in culpa, qui officia deserunt mollitia animi, id est laborum et dolorum fuga.
1914 translation by H. Rackham:
But I must explain to you how all this mistaken idea of denouncing pleasure and praising pain was born and I will give you a complete account of the system, and expound the actual teachings of the great explorer of the truth, the master-builder of human happiness. No one rejects, dislikes, or avoids pleasure itself, because it is pleasure, but because those who do not know how to pursue pleasure rationally encounter consequences that are extremely painful. Nor again is there anyone who loves or pursues or desires to obtain pain of itself, because it is pain, but occasionally circumstances occur in which toil and pain can procure him some great pleasure. To take a trivial example, which of us ever undertakes laborious physical exercise, except to obtain some advantage from it? But who has any right to find fault with a man who chooses to enjoy a pleasure that has no annoying consequences, or one who avoids a pain that produces no resultant pleasure?
On the other hand, we denounce with righteous indignation and dislike men who are so beguiled and demoralized by the charms of pleasure of the moment, so blinded by desire, that they cannot foresee the pain and trouble that are bound to ensue; and equal blame belongs to those who fail in their duty through weakness of will, which is the same as saying through shrinking from toil and pain.
The cataclysmic extinctions that scoured Earth 200 million years ago might have been easier to trigger than expected, with potentially troubling contemporary implications.
Rather than 600,000 years of volcanic activity choking Earth’s atmosphere with carbon dioxide, just a few thousand years apparently sufficed to raise ocean temperatures so potent greenhouse gases trapped in seafloor mud came bubbling up.
Much of everything alive on Earth was soon wiped out. Another half-million years of vulcanism were just icing on the cake. The immediate question: What lessons, if any, can be drawn?
In a new book, Levinson explains how local mom-and-pop stores — with their limited selections, high prices and nonstandard packaging — paved the way for national chains like the A&P to swoop in and dominate the grocery industry. (…)
The A&P, which originally focused on the tea market, opened its first small grocery store in 1912. Unlike traditional mom-and-pop stores, the A&P had no telephone, no credit lines and no delivery options. They also had lower prices.
“People figured out they could save money by shopping there,” says Levinson. “It stocked only items that were fast-sellers, so it wasn’t stuck with an inventory of products no one was buying. It had limited hours. It had a single employee. … They found a way to sell groceries cheaper. … Within eight years, this approach turned their company into the largest retailer in the world.”
By 1930, the Hartford family, which owned A&P, had opened up almost 16,000 more stores. The stores themselves also expanded in both size and selection. (…)
Controlling both the retail store and the supply chain gave the A&P a huge advantage over corner grocery stores because the A&P could run the factories at a lower cost. In addition, the A&P started to bypass wholesalers and go directly to distributors for various products.
{ What we can say is that the clues in the Somerton Beach mystery (or the enigma of the “Unknown Man”) add up to one of the world’s most perplexing cold cases. It may be the most mysterious of them all. | Smithsonian | full story }
4 billion years before present: the surface of a newly formed planet around a medium-sized star is beginning to cool down. It’s a violent place, bombarded by meteorites and riven by volcanic eruptions, with an atmosphere full of toxic gases. But almost as soon as water begins to form pools and oceans on its surface, something extraordinary happens. A molecule, or perhaps a set of molecules, capable of replicating itself arises.
This was the dawn of evolution. Once the first self-replicating entities appeared, natural selection kicked in, favouring any offspring with variations that made them better at replicating themselves. Soon the first simple cells appeared. The rest is prehistory.
Billions of years later, some of the descendants of those first cells evolved into organisms intelligent enough to wonder what their very earliest ancestor was like. What molecule started it all? (…)
When biologists first started to ponder how life arose, the question seemed baffling. In all organisms alive today, the hard work is done by proteins. Proteins can twist and fold into a wild diversity of shapes, so they can do just about anything, including acting as enzymes, substances that catalyse a huge range of chemical reactions. However, the information needed to make proteins is stored in DNA molecules. You can’t make new proteins without DNA, and you can’t make new DNA without proteins. So which came first, proteins or DNA?
{ In May 2010, a tattered and brittle map was discovered in storage at the Brooklyn Historical Society. Experts identified it as a rare item, a Bernard Ratzer “Plan of the City of New York” map in its 1770 state. Until then, only three copies were thought to exist. After a painstaking restoration to remove layers of shellac and grime and repair dozens of breaks, the map is now behind plexiglass and ready to be displayed to the public. | NY Times | full story }
I’m going to break this down very simply, and as nonlibelously as possible.
On February 25, 1970, my mother received a call from Oliver Steindecker, Mark Rothko’s studio assistant, informing her that Rothko had committed suicide and was lying on the floor of his studio in a pool of blood. My mom took a cab from her house on East Eighty-Ninth to Rothko’s studio, twenty blocks south, and helped identify the body. She then took another cab uptown, to Rothko’s brownstone on East Ninety-Fifth, to tell Rothko’s estranged wife, Mell. She left a message with my father, who was, curiously, attending a funeral. Eventually he showed up as well, and helped to arrange Rothko’s funeral two days later. My mom was one month pregnant with me.
Five months later, Mell Rothko died unexpectedly of a heart attack, leaving their two children, Kate and Christopher, parentless. My mother was by now six months pregnant. Because of an inconsistency between the Rothkos’ wills, Kate, nineteen, became the ward of one Herbert Ferber, dentist-sculptor. Christopher, seven, became the ward of my parents. That arrangement ended badly. Christopher left my parents’ house the day before I was born.
The dialects of Madagascar belong to the Greater Barito East group of the Austronesian family and it is widely accepted that the Island was colonized by Indonesian sailors after a maritime trek which probably took place around 650 CE. The language most closely related to Malagasy dialects is Maanyan but also Malay is strongly related especially for what concerns navigation terms. Since the Maanyan Dayaks live along the Barito river in Kalimantan (Borneo) and they do not possess the necessary skill for long maritime navigation, probably they were brought as subordinates by Malay sailors.
In a recent paper we compared 23 different Malagasy dialects in order to determine the time and the landing area of the first colonization. In this research we use new data and new methods to confirm that the landing took place on the south-east coast of the Island. Furthermore, we are able to state here that it is unlikely that there were multiple settlements and, therefore, colonization consisted in a single founding event.
Phineas Gage is famous for having an iron bar being blown through his frontal lobes. Although his case is usually described as the first of its kind, this month’s edition of The Psychologist has a surprising article on many lesser known cases from the 1800s, usually due to mishaps with early firearms.
The piece is packed with amazing case vignettes of people who have suffered serious frontal lobe injury but were described as relatively unaffected.
Like the ampersand, the ‘@’ symbol is not strictly a mark of punctuation; rather, it is a logogram or grammalogue, a shorthand for the word ‘at’. Even so, it is as much a staple of modern communication as the semicolon or exclamation mark, punctuating email addresses and announcing Twitter usernames. Unlike the ampersand, though, whose journey to the top took two millennia of steady perseverance, the at symbol’s current fame is quite accidental. It can, in fact, be traced to the single stroke of a key made almost exactly four decades ago.
In 1971, Ray Tomlinson was a 29-year-old computer engineer working for the consulting firm Bolt, Beranek and Newman. Founded just over two decades previously, BBN had recently been awarded a contract by the US government’s Advanced Research Projects Agency to undertake an ambitious project to connect computers all over America. The so-called ‘ARPANET’ would go on to provide the foundations for the modern internet, and quite apart from his technical contributions to it, Tomlinson would also inadvertently grant it its first global emblem in the form of the ‘@’ symbol.
In 2006, archaeologists exhumed the remains of the legendary 18th century castrato, Carlo Maria Broschi, better known as Farinelli.
As a boy, Farinelli showed talent as an opera singer and, when their father died young, his elder brother Riccardo made the decision to have Farinelli castrated, an illegal operation at the time, in order to preserve his voice. Farinelli became quite famous by the 1720s and sang daily until his death at the age of 78.
An analysis of the bones has just been published in the Journal of Anatomy, with the most salient finding being that Farinelli’s castration led to hormonal changes that likely caused him to develop internal frontal hyperostosis (or hyperostosis frontalis interna, depending on what side of the Atlantic you’re from), a thickening of the frontal bone in the cranial vault that is found almost exclusively in postmenopausal women.
Häxan (English title: The Witches or Witchcraft Through The Ages) is a 1922 Swedish/Danish silent film written and directed by Benjamin Christensen.
Based partly on Christensen’s study of the Malleus Maleficarum, a 15th century German guide for inquisitors, Häxan is a study of how superstition and the misunderstanding of diseases and mental illness could lead to the hysteria of the witch-hunts.
The film was made as a documentary but contains dramatized sequences that are comparable to horror films. With Christensen’s meticulous recreation of medieval scenes and the lengthy production period, the film was the most expensive Scandinavian silent film ever made, costing nearly two million Swedish krona. Although it won acclaim in Denmark and Sweden, the film was banned in the United States and heavily censored in other countries for what were considered at that time graphic depictions of torture, nudity, and sexual perversion.
Earlier this year, Michael Stipe turned 51, and his band, R.E.M., released its 15th full-length album. In early March, we sat down at his kitchen counter in downtown New York City over sushi to talk about his career.
I came to New York for the first time with Peter Buck at age 19. We spent a week living out of a van on the street in front of a club in the West 60s called Hurrah. It’s where Pylon played. I saw Klaus Nomi play there. And Michael Gira’s band before he did Swans-they all wore cowboy boots and were so cool and had great hair. I was so jealous. I bought Quaaludes at the urinal for everyone and we all got stoned-I mean, totally fucked up-and we watched Klaus Nomi and Joe King Carrasco. I sat on a couch with Lester Bangs at this party someone threw for Pylon and the only thing to eat was jelly beans and cheesecake. (…)
What happened in 1983?
I stopped taking drugs. There were a lot of things that led up to it. One thing was that a lover died. An ex of mine died in a car wreck and I was really trashed when I found out about it and I couldn’t cry. I woke up the next morning and I said, “That’s it,” so I quit then. It was horrible. A bunch of people died around that time and she was one of them. I wrote a song about her-that was when I still did pull from autobiographical material. I didn’t really have my voice until after that. Also, AIDS had landed and I was terrified. I was very scared, just as everyone was in the ’80s. It was really hard to be sexually active and to sleep with men and with women and not feel you had a responsibility in terms of having safe sex. And this was the Reagan years, where they were talking about internment camps for HIV-positive people and people with AIDS. The straight community was freaking out because, in their minds, this was a “gay” disease, and bisexual people were passing AIDS from the gay community to the straight community.
Tom Waits (introducing Muriel, London, 1981): “This is a song about an American television personality named Ernie Kovacs who was very popular in the late 50’s. He had his own show and he had a beautiful wife, Edie Adams, (here in a high pitched goofy voice he sings): “And you may ask yourself, how did you get that beautiful wife? How did you get that beautiful car?” Ernie was very fond of Edie, they were very close for many years. They went to a party in Beverley Hills one night. Edie took the Rolls and Ernie took the Corvair. That’s just the way they had things worked out, and on Ernie’s way home, he’d had a few cocktails, and he wrapped himself around a telephone pole there on Santa Monica and La Cienega, he’s history now. Edie used to do advertisements for Muriel Cigars, it’s a real cheap 10 cent cigar in the States and so this is about a guy in the lounge who’s smoking a cigar and remembering - remember with me now.”
(…)
Larry Goldstein (about I never Talk to Strangers, 1978): “One of the few people with whom he can work is Bette Midler. “I met her, now let me see, a couple of years ago at the bottom Line (a nightclub) in New York,” he said, “and we got along famously. I admire her a great deal. And you know…I’ll kick anybody’s ass who knocks her. I wrote a couple of tunes for her.” (Shiver Me Timbers among them.) The two stayed close friends and then one day Bette dropped by the studio during the recording of Foreign Affairs just to say hello. The topic of duets arose, and she asked Waits to try and write one for them. So Tom went home and went to work and came back the next day with a brand new song, to be recorded that day, I Never Talk To Strangers, which has become the most popular song on the album. When I asked him about the possibility of more collaboration between the two, Waits was intentionally vague and mysterious. “We might work something out,” he said.
In 1980 this song prompted Francis Ford Coppola to contact Waits on working together on the soundtrack for One From The Heart.
Tom Waits (1981): “When I was in New York back in April of 1980, Francis was there auditioning people he wanted to be involved with the film. Somebody had sent him my records and Francis liked the song I Never Talk to Strangers, a duet I’d done with Bette Midler. He liked the relationship between the singers, a conversation between a guy and a girl in a bar. That was the impetus for him contacting me and asking me if I was interested in writing music for his film.”
