‘We learn from experience that men never learn anything from experience.’ –George Bernard Shaw
A collection of paintings that have caused art aficionados to turn a deep shade of purple and have provoked upset and anger throughout the art world are to go on show.
The forged works include a fake Botticelli, which was bought for a higher price than a genuine work by the artist sold at the same time. A gallery director almost had to resign because of another one, a fake Holbein.
In an unprecedented spirit of public transparency (and perverse pride), the National Gallery in central London is dusting down its holdings of forged paintings, accidentally bought as genuine works, supposedly by Botticelli, Holbein and Durer, among others, and showing them off to the public.
Some experts within the gallery actually prefer the fakes to the real thing, they revealed yesterday. Rachel Billinge, a research associate in the gallery’s conservation department, said she sometimes looked upon the forgeries with more admiration than the works by their genuine counterparts. “Sometimes you can appreciate their techniques, and the effort they put in, more than the original that was churned out by a bored apprentice at a workshop,” she said.
The last known fake bought by the gallery was in the late 1950s, when it acquired a painting believed to be a genuine Rembrandt, An Old Man in an Armchair. Signed and dated falsely, many curators have marvelled at its extraordinary technique and artistic achievement.
