Then all melted away dewily in the grey air: all was silent.
When we think today of Don Juan, we think, voluntarily or involuntarily, of ‘Mozart’s Don Juan.’ Mozart did for Don Juan what Goethe did for Faust—made his representation the prototype of all others.
{ Pierre Jean Jouve, Le Don Juan de Mozart, 1957 | Søren Kierkegaard’s Interpretation of Mozart’s Opera Don Giovanni : An Appraisal and Theological Response | PDF }
