Per i fianchi, l’ho bloccata e ne ho fatto marmellata. Oh yeah.
We know very well what sculpture is. And one of the things we know is that it is a historically bounded category and not a universal one. As is true of any other convention, sculpture has its own internal logic, its own set of rules, which, though they can be applied to a variety of situations, are not themselves open to very much change. The logic of sculpture, it would seem, is inseparable from the logic of the monument. By virtue of this logic a sculpture is a commemorative representation. It sits in a particular place and speaks in a symbolical tongue about the meaning or use of that place.
{ Rosalind Krauss, Sculpture in the Expanded Field, 1979 | Continue reading }
photo { Alvaro Sanchez-Montañes }
